“It was quite good—the matter of it,” Joan told her. “All Roads lead to Calvary. The idea is that there comes a time to all of us when we have to choose. Whether, like your friend Carlyle, we will ‘give up things’ for our faith’s sake. Or go for the carriage and pair.” “It doesn’t seem to depress her spirits,” mused Joan.!

Phillips was waiting for her in the vestibule. She had forgotten him; but now she felt glad of his humble request to be allowed to see her home. It would have been such a big drop from her crowded hour of triumph to the long lonely cab ride and the solitude of the hotel. She resolved to be gracious, feeling a little sorry for her neglect of him—but reflecting with satisfaction that he had probably been watching her the whole time. Could we ever hope to eradicate it? Was not the survival of this fighting instinct proof that war was still needful to us? In the sculpture-room of an exhibition she came upon a painted statue of Bellona. Its grotesqueness shocked her at first sight, the red streaming hair, the wild eyes filled with fury, the wide open mouth—one could almost hear it screaming—the white uplifted arms with outstretched hands! Appalling! Terrible! And yet, as she gazed at it, gradually the thing grew curiously real to her. She seemed to hear the gathering of the chariots, the neighing of the horses, the hurrying of many feet, the sound of an armouring multitude, the shouting, and the braying of the trumpets.

“You’re not offended?” he asked. “At my thinking you beautiful?” he added, in case she hadn’t understood. “One feels it,” explained Joan. “Are you never coming again?” asked the child.